September 8, 2025September 9, 2025 ibf

Namedrop, Whoredrop, and the Theater of Stun: how insider words and curated bodies hijack attention and power

September 7, 2025November 24, 2025 ibf

Žižek’s Hypocritique Cinématique: His Cred-Pet’s Lapdog

September 7, 2025September 9, 2025 ibf

Rescuing Žižek Is The Master Key: A Minimal Act To Free The Hostages Of The Cybernetic Spectacle

September 7, 2025September 23, 2025 ibf

Protocols of Desire: Işık Barış Fidaner at the Interface of Psychoanalysis and Engineering

September 7, 2025November 24, 2025 ibf

Stimulationist Exoticism: Žižek’s Performative Legacy Surrendered to Resistance

September 6, 2025September 9, 2025 ibf

The Cybernetics of Spectacle

September 6, 2025September 9, 2025 ibf

Engagement as Parapraxis: Foucault, Heidegger, Žižek, and Öcalan

September 6, 2025September 9, 2025 ibf

IPA/FLŽ: Mandela of Our Time, or the Age’s Mediatic Mythology?

September 5, 2025September 9, 2025 ibf

Weirdness Porn of Political Jouissance: Cred-Pet’s Poly-tickle Pole-Dancing Around Uncle Slavoj’s Jew-essence

September 5, 2025September 9, 2025 ibf

Nailing the Concept by Correct Favoritism: How Uncle Slavoj’s Golden Boy Gabriel Got Too Arrogant Too Quickly, While Treasonous Nicol Played the Politeness Hooker to Become Uncle Slavoj’s Cred-Pet