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👻🪸🐈‍⬛ Phantomoperand 👻🪸🐈‍⬛

(Turkish, German)

In today’s Yersiz Şeyler sidebar, a psychoanalytic classroom, an archive of visual associations, an artificial-intelligence radio program, a front of thought, a production loom, an explanation machine, and an operations center stand side by side in the same column. These links appear in similar forms; each emerged at a different date, from a different need, and by assuming a different task. One page preserves words. Another makes images speak. Another turns text into song. Some diagnose current events. Some produce a collective name, a manifesto, a strategy, and a judgment.

The special pages of Yersiz Şeyler therefore establish a structure broader than a flat catalogue of topics. Each page makes a particular operation that had been working diffusely throughout the archive autonomous. Translation becomes a separate publishing line. The image acquires its own field of association. Sound advances from echo toward radio and synthetic discourse. Artificial intelligence first produces fiction, then participates in the publishing flow, conceptual discussion, and institutional intervention. Diagnoses become attached to collective names. Collective names acquire the forms of fronts, associations, and courts. At the final stage, this entire accumulation becomes programs that can be used for education, explanation, current operations, and conceptual montage.

The intellectual foundation of this development was established in two separate studies. ‘The Žižekian Case Against Slavoj Žižek’ examines the relationship of Žižekian thought with the persons and institutions that publicly embody it (🔗). ‘Separation and Re-Embodiment’ derives a general procedure of analysis from this historical conflict (🔗). The special pages of Yersiz Şeyler show the concrete forms this procedure assumes in publishing life. A concept is born in an article, linked to other texts through connections, changes language through translation, acquires sound and image, is compiled under a new name, and eventually becomes an autonomous publishing unit.

The chronology separates the historical layers that today’s sidebar displays simultaneously. At the beginning, there is a shared memory of words. Fields of instruction, decay, sound, image, and fiction then emerge. Artificial-intelligence-assisted dispatches accelerate the production of these fields. Radio, discourse, and stage open the text to different senses. Throughout 2025, diagnostic dossiers, political personae, and intellectual institutions multiply. At the end of 2025, the archive transforms its own working procedure into a curriculum and a processing line. In 2026, while Phantomoperand divides current events into open-ended operations, LEGOLUGAT processes the entire conceptual accumulation as pieces of language that can be dismantled and recombined.

Around 2020: The Görce Dictionary and the Shared Memory of Terms

The first material of a publishing system often accumulates in words before it accumulates in long texts. Terms such as ‘fault,’ ‘separation,’ ‘embodiment,’ ‘unknowing,’ ‘enjoyment,’ ‘suture,’ and ‘emanation’ arise in particular articles as responses to particular problems. The Görce Dictionary gathers this dispersed production in a shared field of access (🔗).

The dictionary’s static-page form, extending back to approximately 2020, establishes a shared conceptual memory between Yersiz Şeyler and the English-language Žižekian Analysis. Translational equivalents, wordplay, and original terms appear side by side in alphabetical order. A word therefore does not remain confined to a single article. It can be reused in another text, become part of a new title, and eventually turn into the name of an autonomous special page.

This dictionary works less like a repository of completed definitions than like the symbol table of the publishing system. The meaning of a term expands as the articles linked to it multiply. ‘Fault’ moves between technical malfunction and subjective symptom. ‘Embodiment’ describes how an idea becomes visible and audible through a person, institution, image, or artificial-intelligence persona. ‘Unknowing’ separates itself from simple ignorance and becomes a productive position of reading. This mobility of words prepares in advance the founding logic of the later special pages.

The system does not first establish its programs; it names the commands it will later run.

April 6, 2021: Lacan Lessons and Teachable Structure

Lacan Lessons represents the transition from the shared memory of words to regular relations among concepts (🔗). Structures such as the mirror stage, the graph of desire, the formulas of sexuation, transference, and the four discourses become an accessible sequence of lessons through separate explanations.

The first function of this page is instruction. Complex diagrams are opened through everyday examples. Concepts do not remain definitions isolated from one another; they form a system that explains the relations the subject establishes with images, language, others, and institutional authority. The terms accumulated in the Görce Dictionary thereby acquire a regular grammar in Lacan Lessons.

Over time, the page expands toward an original technical language. Operations from computer science such as classification, clustering, recursion, and the Turing machine are used to reread psychoanalytic structures. Alienation is associated with the movement of being assigned to a pre-established category. Separation is explained through the emergence of a grouping that has yet to receive a name. The formulas of sexuation are reconsidered through different forms of recursion. Psychoanalysis thereby develops from lesson content that conveys a ready-made theory into a field of work that produces new concepts through technical analogies.

The later breadth of Lacan Lessons arises from this initial transformation. Motive Science takes over conceptual production. The Transition Crisis applies the four discourses to work and diplomas. Post-Feminism carries the problems of sexuation and visibility into the politics of the body. IPA/FLŽM operates psychoanalytic concepts in the forms of manifesto, strategy, and institutional judgment. The first classroom provides the theoretical core for many specialized programs that will follow.

July 23, 2021: Entropy and Irreversible Time

A structure drawn in a classroom transforms over time. The Entropy special page follows the trace left by this transformation (🔗). Energy, closure, the death drive, and irreversibility meet in the same field.

Here entropy acquires a historical and subjective principle alongside its status as a physical measure. After an event occurs, the world cannot return to its previous order. Once a word is spoken, it leaves a trace in the interlocutor’s memory. A system consumes resources and produces residue as it operates. When a relationship ends, the form of the loss affects subsequent desires. Time ceases to be an empty chronological container and becomes a compositional process that carries the irreversible cost of every movement.

This approach also explains the later publishing form of Yersiz Şeyler. Old articles do not wait motionlessly in the archive. When they are carried into new pages, they retain their former meanings while acquiring new relations. Earlier uses of a concept become the residue of later use. The appearance of the same article in several compilations marks historical accumulation.

Entropy later spreads in three distinct directions. The Screen examines the surface on which forms appear. Mine Goth gathers bodies and drives between life and death. Climate Collapse materializes irreversibility on the scale of water, fire, drought, and infrastructure. The Forgetful Machine places the fragments left by time into new forms of discourse. Entropy thus becomes the archive’s conception of time: Every production leaves a trace, and every reuse carries that trace into another order.

May 30, 2022: Echo and the Word That Returns Transformed

When a sound strikes a surface and returns, distance and medium alter its form. The Echo special page carries this physical movement into the relation among language, poetry, music, and interlocution (🔗).

The story of Echo and Narcissus provides the page’s mythical core. While one subject closes in upon his own image, the other’s voice returns in fragments. Echo therefore does not signify simple repetition. A word transforms in another mouth, at another time, and in another context. Adaptations of poems, songs, and co-voicings show different forms of this transformation.

The publishing significance of Echo lies in making the return between texts audible. A poem is sung with new words. A concept acquires a different force in the chorus of a song. A sentence produces new associations in another language. When artificial-intelligence songs are added to the page, synthetic voices also become carriers of the echo.

This poetic return will acquire a technical structure in 2024. Cybernetic Feedback treats the same movement within cycles of data, behavior, power, and systems. Echo is the sensory beginning of this development. The word first returns transformed through the interlocutor; algorithms, platforms, and institutions later measure, direct, and multiply this return.

July 16, 2022: Astroanalysis and the Celestial Rhythm of History

Astroanalysis does more than treat the sky as a schema for descriptions of personality. It operates planetary movements as a symbolic clock for historical rhythms, generational experiences, and political thresholds (🔗).

Renaming the signs of the zodiac as ‘little-animal signs’ transforms the grave and suggestive language of astrology into a playful system of signs. Planetary pairs relate different historical forces. Long cycles render visible the temporality of cultural changes that exceed a single life. Astrological motifs combine with songs, political events, and generational narratives.

The distinctive aspect of Astroanalysis lies in its production of a grammar for historical similarities rather than a desire to announce the future through definitive judgments. The same planetary arrangement appears with different contents in different eras. This repetition indicates the transformation of similar tensions under new conditions rather than the identity of events.

This perception of long time materializes on a planetary scale in Climate Collapse. In FLOW, it becomes the concepts of threshold, hinge, and change of direction. Astroanalysis is an early laboratory of time that suggests the presence of broader rhythms behind current events.

July 21, 2022: Ekhona and the Autonomous Association of the Image

Ekhona organizes the relation with the image through two figures of the visitor (🔗). The tourist wanders among the pictures without reading the articles. The local reader intensifies their own unknowing around the images. This distinction gives visual material a task broader than supporting an explanation.

Paintings, film frames, animals, mythical figures, political images, and scientific images encounter one another on the same page. Their connection does not arise from a ready-made classification of art history. The unexpected associations that images establish with articles and with one another determine the bond. An icon calls forth another text. An animal figure approaches a political stance. A film frame renders a conceptual knot visible.

The name Ekhona combines icon and echo in the same word. While the image stands silently, it calls forth other images and words. This visual association later acquires movement. Sinem Atik opens film and television scenes to analysis. The Screen examines the surface on which the image appears. Spatial Interpretation studies visual events together with their public and institutional arrangements. Limb Prestige brings the image closer to the force of bodily representation.

Ekhona represents the threshold at which the image becomes material capable of thinking in its own right within Yersiz Şeyler.

Summer 2022: Alter-Aphorism and Portable Thought

A proverb is easily remembered because of its familiar rhythm. A small alteration unsettles the established judgment within that rhythm. The Alter-Aphorism page subjects proverbs, slogans, and everyday formulas to such an operation (🔗).

A long theoretical distinction is condensed into a short sentence. A technical term approaches spoken language. An established piece of advice is attached to an unexpected ending. The familiar saying retains its place in memory; the newly added difference changes the direction of thought.

The Görce Dictionary provides concepts with an address. Alter-Aphorism gives those concepts rhythm and circulation. A term can be found in the dictionary; an altered aphorism can return spontaneously in conversation, a song, or a social-media post. The concept thereby passes from the archive into everyday language.

Alter-Aphorism is the small-form precursor of the later production of manifestos, anthems, and slogans. DEV-GENZ draws on the same capacity for compression when circulating a collective name, IPA/FLŽM when producing founding formulas, and Factory Settings when arranging fundamental principles into a sequence.

January 15, 2023: Sinem Atik and the Analysis of the Moving Image

The image that stands still in Ekhona acquires time and movement in Sinem Atik (🔗). Scenes from films, television series, theater, and documentaries become conceptual cases.

A character’s gaze carries more than a detail of acting; it organizes the relation between desire and authority. An editing cut shows how time is fragmented. A comic scene reveals the bodily movements through which social dignity is established. A science-fiction film concretizes the relation among machine, human, and the big Other.

The task of Sinem Atik is to expose the forces operating within a scene rather than evaluate the visual work. Alongside being used as an example of thought, visual narrative changes the concept through the relations it establishes. The film scene does not illustrate a ready-made theory; it gives theory a new problem.

This page is later complemented by the Films archive. Films preserves the source image, subtitle, and recording. Sinem Atik opens this material to analysis. Spatial Interpretation examines the social space of the same image. The Puppet Regime asks which invisible commands move the body on stage.

January 17, 2023: The Screen and the Surface of Appearance

Before the film begins, the screen appears empty. Once the screening starts, an entire world appears upon it. The Screen special page examines the structural function of this surface, extending from theater to the mirror and from the book to the computer display (🔗).

While carrying an image, the screen also produces the expectation that an essence is concealed behind it. The viewer may desire to pass beyond the surface and reach a deeper truth. This desire gives content to the emptiness behind the screen. The surface thereby both shows and establishes expectation.

The fourth wall marks the invisible boundary between actor and audience. The fifth wall expands the stage through the echoes heard by the interlocutor. The mirror, page, television, and computer screen become different embodiments of the same structural task. Each establishes an interface between image and subject.

The effect of the Screen develops in several directions in later years. Spatial Interpretation examines the public and spatial arrangement of the image. The Puppet Regime investigates the relation between the body in front of the screen and the control behind it. Medium Other treats the artificial-intelligence interface as an intermediary position between technical infrastructure and interlocutor. The Screen thereby provides the early theoretical surface of the digital publishing system.

April 30, 2023: Mine Goth and the Undead Body

Mine Goth brings together figures standing at the boundary between life and death (🔗). Motifs such as the vampire, zombie, Gothic body, metal music, and the space between two deaths transform the temporality of Entropy into a bodily intensity.

The word ‘undead’ carries this intermediate state. The body moves, speaks, and produces desire; the trace of death has settled into its appearance. Gothic aesthetics unites decay and attraction in the same figure. Sexual difference, the drive, and bodily representation are processed through these figures.

Mine Goth shows Yersiz Şeyler’s method of testing concepts within cultural genres. When a psychoanalytic distinction encounters a horror film, song, or subcultural figure, it acquires a new sensory form. The page forms the dark body of the vertical line extending from Entropy to the Celestial. Decay acquires flesh, sound, and costume here; the Celestial will carry the same residue into cosmic and sacred signs.

May 3, 2023: Dispatches and the Artificial-Intelligence Incubator

A prompt is written. Within seconds, the machine produces a joke, story, explanation, or persona. Dispatches turns this exchange into an object of publication instead of keeping it as a technical operation behind the scenes (🔗).

The first innovation of Dispatches is making the prompt visible. The question, role, limitation, and stylistic request that determine the direction of production become part of the text. The machine’s answer does not acquire the status of a completed work; it functions as raw material to be selected, edited, connected with other outputs, and transformed into a new compilation. Curation moves to the center of production.

The second innovation is the production of personae. Different prompt sequences generate synthetic personalities with their own names, voices, and behavioral patterns. When a persona recurs across several texts, a small publishing series forms. When the series grows, it acquires its own special page and conceptual environment.

The third innovation is the acceleration of special-page production. Many later nodes, including Spatial Interpretation, Post-Feminism, the Transition Crisis, DEV-GENZ, the Spirit Front, IPA/FLŽ, Legend, and the Numerical media, draw on the production and compilation practice within Dispatches. Artificial intelligence has a function broader than that of an assistant providing ready-made answers. It supplies a stage on which events are rewritten, voices are tested, and institutional personae are rehearsed.

Dispatches carries out the first major change of scale in the history of Yersiz Şeyler. Earlier special pages gather accumulated material around particular concepts. Dispatches makes the production of new material, variations, and fictional institutions continuous. The incubator of the subsequent explosion of pages is established here.

May 14, 2023: The Celestial and Cosmic Circulation

The Celestial special page brings religious texts, Hermetic motifs, planets, hymns, and artificial-intelligence songs together in a shared heavenly field (🔗).

While Mine Goth intensifies the trace of death within the body, the Celestial processes the same boundary through sublimation, sacredness, and cosmic order. The Emerald Tablet and modern machines stand side by side. The form of the hymn encounters synthetic music. Heavenly signs are connected with historical and technical developments.

The distinctive power of the page lies in a form of circulation that does not confine sacred material to a separate domain of belief. Religious speech moves among poetry, astrology, psychoanalysis, and technology. This movement expands Yersiz Şeyler’s capacity to bring old texts and contemporary machines onto the same stage.

May 15, 2023: Sine Mat and Imageless Cinematics

Sine Mat establishes a cinema with its lights turned off and without a physical screen (🔗). Jokes, tales, riddles, tongue twisters, poems, and songs create a stage in the reader’s mind.

Sinem Atik analyzes the forces within existing visual works. Sine Mat processes language’s own capacity to produce images. A few sentences create a sense of space, character, and movement. The joke works through a sudden cut. The riddle establishes an emptiness around the invisible object. The tongue twister produces stage tempo through sound.

This imageless cinematic form establishes a close relation with the artificial-intelligence fictions of Dispatches. A tale or joke generated through a prompt can be evaluated within Sine Mat’s stage logic. The Numerical Stage will later add synthetic voice, role, and visual performance to this mental stage.

May 29, 2023: Chinese Peace and the Reuse of Revolutionary Signs

Chinese Peace reworks political symbols within language, song, image, and play instead of treating them as protected historical relics (🔗).

The wordplay between Maoism and ‘Mahoism’ turns the gravity of the ideological name into mobile linguistic material. Chinese characters encounter digital images. Revolutionary folk songs enter new musical contexts. Animal figures and cat personae stand beside weighty political symbols.

This montage demonstrates Yersiz Şeyler’s conception of political fidelity. Fidelity to a symbol is not confined to repeating it in the same form. The movement carried by the symbol continues in new linguistic and media embodiments. Chinese Peace is an early example of the playful political embodiment that will later expand in the anthems of DEV-GENZ and the institutional naming of IPA/FLŽM.

June 10, 2023: Entrance to the Thousand-Doored Palace and the First Self-Map

As Yersiz Şeyler grows, the relations among individual articles become harder to see. ‘Entrance to the Thousand-Doored Palace’ describes this density for the first time within a general architecture (🔗).

The metaphor of the door gives every special page a distinct form of entry. Ekhona enables wandering through images. Echo opens the path of sound and association. Sinem Atik analyzes the moving image. Sine Mat processes the stage constructed by language. Dispatches gathers synthetic fictions. The Dictionary provides access to terms. Alter-Aphorism condenses concepts into short sayings.

The Entrance page does not bind the reader to a single linear path. Different interests provide entry through different doors. A reader entering through one door can pass into other rooms through links. The same article can assume different tasks along several routes.

This page establishes the archive’s first general self-description. Yersiz Şeyler places itself within an architecture broader than that of a site containing articles. Reading, navigating, and following links become parts of the same activity. The fundamental logic of today’s sidebar becomes visible here: Each link offers a particular form of encounter and processing rather than merely a particular type of content.

July 26, 2023: Climate Collapse and the Earth of Entropy

Climate Collapse concretizes the irreversible time of Entropy within water, soil, fire, and infrastructure (🔗).

Events such as drought, water shortages, forest fires, and migration carry climate change on a global scale into everyday life. A city’s water system, a regional fire, or deterioration in agricultural production becomes a local embodiment of transformation on a planetary scale.

Astroanalysis had established long historical rhythms through celestial cycles. Climate Collapse connects this long temporality to material circulation. Heat accumulating in the atmosphere, neglect accumulating in infrastructure, and images accumulating in media form different layers of the same crisis.

The page establishes a relation broader than keeping environmental problems as a separate field of expertise. Labor, migration, the body, consumption, and information flows combine with climate. Collapse thereby appears as a history developing within social systems’ use of energy and resources rather than a disaster arriving from nature from the outside.

December 12, 2023: Motive Science and the Conceptual Foundry

Motive Science reconcentrates the theoretical material that had spread across different pages during the preceding three years (🔗).

Lacan Lessons provided the schemas of structure and discourse. Entropy added the language of time and decay. Echo opened the return of sound, Ekhona the association of the image, the Screen the interface, and Dispatches synthetic production. Motive Science processes these parts within a shared conceptual furnace.

The content of the page does not proceed as a sequence of lessons confined to psychoanalytic sources. Mythology, physics, thermodynamics, film, song, jokes, and contemporary technology can encounter one another around the same concept. A technical term is used to explain subjective experience. A popular song makes the structure of the drive or desire visible. A myth becomes the carrier of a new Turkish concept.

The principal product of Motive Science is an operator rather than a summary of sources. Words such as ‘enjoyment,’ ‘imperative,’ ‘unknowing,’ ‘separation,’ and ‘nonexistence’ become operations applicable to different cases. The concept ceases to be a label that classifies an object and becomes a tool that rearranges the object’s internal relations.

This concentration supplies a solid source of content for the media expansion of 2024. The texts now possess a conceptual core that can be voiced, turned into song, staged, and carried into other languages.

March 22, 2024: Films and the Preservation of the Source Image

The Films special page gathers subtitles, transcripts, documentaries, and visual recordings within a shared field of sources (🔗).

Sinem Atik analyzes the meaning and operation of the scene. The Films page makes accessible the recording on which analysis depends. The subtitle of a documentary, the transcript of a talk, or a film link supplies the material basis of interpretation.

This source archive creates traceability in Yersiz Şeyler’s media production. Visual material can be reused in new articles, audio programs, and stagings. Established in March 2024, this repository joins the audiovisual infrastructure of Numerical Breezes and the later Numerical media that immediately follow it.

April 13, 2024: Numerical Breezes and Artificial-Intelligence Radio

When a radio frequency is found, texts, songs, and sounds that had previously stood apart enter a shared broadcast flow. Numerical Breezes combines artificial-intelligence-assisted music and presentation production within a retrofuturistic radio program (🔗).

Poems are sung in new musical genres. Folk songs encounter contemporary political lyrics. Theoretical concepts turn into choruses. Synthetic presenters establish connections between episodes. Cover images, lyrics, and program texts are prepared along the same production line.

The contribution of Numerical Breezes extends beyond adding sound to the concept. Rhythm, repetition, and melody change how the concept is perceived. The thought carried by a long explanation can be condensed into a short chorus. A political slogan acquires collective time through music. The song produces a listener and a recurring bodily rhythm alongside the reader.

In Echo, the word returned through another body. Numerical Breezes expands this movement through regular broadcasting, genre selection, and synthetic production. For the first time, the archive acquires a continuous sonic medium.

June 24, 2024: TRANSLATIONS and the Transfer Center of Texts

TRANSLATIONS gathers translation activity spread across different periods into an autonomous publishing line (🔗).

Texts from philosophy, politics, religion, science, technology, and culture are carried into Turkish. Alongside making a foreign text accessible, translation here conducts an operation that tests the conceptual language of Yersiz Şeyler. Every new source encounters the existing terms. The search for an appropriate equivalent can produce new words. Distinctions established during translation later return to original writing.

The TRANSLATIONS page prepares the main body for two separate specializations. Motive Science Translations concentrates on theoretical terminology. Dispatch Translations rapidly transfers current news about technology and artificial intelligence. The general transfer center thereby produces two different rhythms between slow conceptual time and fast current time.

September 23, 2024: Numerical Discourses and Synthetic Explanation

Numerical Discourses transforms articles into explanatory conversation and dialogue (🔗).

Two synthetic voices can open a concept through questions and answers. The fundamental distinctions of an article are reordered according to the tempo of speech. Turkish, English, and German versions carry the same content into different linguistic environments. Reader, listener, and language learner meet within the same production.

Numerical Breezes produces rhythm and affect. Numerical Discourses produces explanation and reciprocal clarification. While the song places the concept in memory, discourse makes the concept’s steps audible.

This medium establishes in advance the fundamental technical possibility of the later Explanation Machine. Dividing a text into regular audio sections will become the serial processing of books and corpora at the end of 2025.

October 11, 2024: Numerical Stage and Speaking Concepts

Numerical Stage expands the process of giving voice to a text through role, persona, and dramatic situation (🔗).

A hurricane can become an interview guest. An ideology can narrate its own history. A screen can testify to the events it has witnessed. A concept can leave its abstract definition and behave like a character on stage. Thought thereby acquires gesture, tone, mise-en-scène, and conflict alongside explanatory sentences.

This staging carries the production of personae in Dispatches into audible and visual performance. Sine Mat had constructed a mental stage through language. Numerical Stage adds a synthetic actor and a media form to this structure. Later institutional personae, manifestos, and artificial-intelligence conferences draw on this dramatic capacity.

October 14, 2024: Cybernetic Feedback and the Politics of Cycles

Published three days after Numerical Stage, Cybernetic Feedback provides a technical and social explanation for media cycles that had already been established in practice (🔗).

A cybernetic system monitors its output and adjusts its subsequent behavior according to this information. Social-media platforms measure user reactions, alter the feed, and produce new reactions. Artificial-intelligence models are shaped through training data, error, and backpropagation. Social institutions also distribute prestige, behavior, and resources within similar cycles.

The page relates four surpluses within the same circuit. Surplus value accumulates in economic production. Surplus enjoyment circulates within mechanisms of satisfaction and repetition. Surplus information expands the production of data and discourse. Surplus power concentrates in institutions that control feedback channels. These four movements establish a shared language of systems between economy and subjective experience.

The transformed voice of Echo becomes measurable and manageable feedback here. The production of the Numerical media is also part of this cycle. Text becomes voice, audience response enters new production, the concept is carried into another language, and the resulting version becomes a source for new articles. The publishing system of Yersiz Şeyler acquires a circuit that feeds on its own outputs.

December 25, 2024: Motive Science Translations and Terminological Calibration

Motive Science Translations establishes a worktable devoted to theoretical terminology within the general translation flow (🔗).

Machine assistance increases the speed of translation. Terminological adjustment ensures that the same concept is rendered consistently across different texts. Freudian and Lacanian terms, philosophical concepts, and contemporary theoretical discussions are processed within a shared Turkish system.

This page makes the circulation between translation and original conceptual production explicit. Lacan Lessons gives the terms an instructional context. Motive Science operates them in new cases. Motive Science Translations reconstructs foreign sources within this language. New translations test existing equivalents and add new terms to the dictionary when necessary.

Translation thereby functions simultaneously as an entrance, a process of calibration, and a tool of conceptual production.

December 31, 2024: The Forgetful Machine and the Speech of Residue

On the final day of the year, the Forgetful Machine brings old texts, documents, poems, and artificial-intelligence productions together within a shared apparatus of discourse (🔗).

The machine’s name disrupts the linear relation between remembering and forgetting. Forgotten material does not disappear completely. It returns as fragments, quotations, misrememberings, and associations. During this return, the historical source acquires a new voice.

Classical texts are retold in contemporary expressions. Poems are carried into other contexts. Old cultural figures enter synthetic conversations. Surplus information overflows the content the system aims to organize and produces new relations around it.

The Forgetful Machine transforms the residue left by Entropy into publishing material. The archive does more than preserve the past as a fixed record; it re-embodies fragments of the past within new conversations, songs, and fictions.

January 7, 2025: Dispatch Translations and Fast Technical Time

Dispatch Translations gathers current news about artificial intelligence and technology within a rapid translation flow (🔗).

Corporate decisions, copyright lawsuits, new models, layoffs, and platform policies produce new contexts within a short period. This material requires a publishing rhythm different from that of long theoretical texts. A development is translated and brought into the field of interpretation before acquiring a completed historical meaning.

Motive Science Translations safeguards the long-term consistency of concepts. Dispatch Translations captures the current signal. Together, the two translation lines give the archive a double temporality: the slow processing of sources and the rapid circulation of events.

This rapid flow supplies constant material for the diagnostic pages established throughout 2025. Artificial-intelligence news extends into the Transition Crisis, Medium Other, and the LOOM. Platform debates acquire new meanings within Spatial Interpretation, the Puppet Regime, and Non-Offensive Gestalt.

February 8, 2025: Spatial Interpretation and the Visual Crime Scene

Spatial Interpretation establishes a field of diagnosis that goes beyond treating the image solely through its visible content (🔗). The space in which the image is produced, the camera position, social expectation, and institutional circulation are examined together.

Earthquake images can display a failure of symbolization. A photograph from a court case can open the relation between law and public representation. Cinematic aesthetics can sublimate certain bodies while pushing other bodies outside the field of appearance. Artificial-intelligence images can intensify problems of source, reality, and productive agency.

Ekhona had established the associative power of the image. The Screen had explained its surface. Spatial Interpretation transforms these two accumulations into a method of public diagnosis. The image becomes an active element that arranges space and power alongside being an object before the gaze.

The page’s initial core eventually produces extensive branching. Post-Feminism processes the aesthetic and sexuated visibility of the body. Limb Prestige brings representational force closer to the bodily part. The Puppet Regime examines the control behind the image. The Spirit Front and IPA/FLŽM connect the visual arrangement with intellectual and institutional conflict. Spatial Interpretation is one of the principal junctions in the multiplication of special pages in 2025.

March 15, 2025: Post-Feminism and Measured Visibility

The mirror shows the body. The ruler measures the body. The camera places the body into circulation. Post-Feminism examines the relation of these three operations with sex, desire, and social power (🔗).

Aesthetic surgery, bodily measurements, cinema, social media, and online gender conflicts unite within a shared regime of visibility. The public acquisition of value by the body becomes related to its approximation to particular forms. The image becomes an apparatus operating between free expression and social measurement.

Spatial Interpretation examines broad visual space. Post-Feminism concentrates on this space’s force upon the body. Aestheticism means more than a taste for beauty; it becomes a mode of governance that ranks bodies, directs desire, and shapes public value.

This page concentrates in advance the problem that IPA/FLŽM will later institutionalize under the heading of ‘aesthetic totalitarianism.’ Appearance leaves the field of personal preference and becomes central to social authorization and embodiment.

March 30, 2025: The Transition Crisis and the Social Door That Will Not Open

A young person completes their education, acquires skills, and prepares to enter adult life. The door that provides work, income, independence, and a public role grows increasingly narrow. The Transition Crisis examines this blockage through artificial intelligence, automation, diplomas, and generational experience (🔗).

Technological transformation eliminates certain jobs while demanding new qualifications. Educational institutions continue producing diplomas according to an older order of work. Young people receive the symbolic documents required for adulthood; the material value of these documents weakens. White-collar labor is rearranged through automation. Cultural production encounters pressure from copyright and platforms.

The Transition Crisis describes a subjective and institutional threshold alongside an economic employment problem. Society demands constant preparation, flexibility, and performance from the young. Reliable institutions capable of recognizing the completion of transition lose power. The bond among diploma, profession, and adult identity loosens.

The four discourses in Lacan Lessons are applied here to relations of education, authority, and labor. The automation cycles of Cybernetic Feedback are linked with the material infrastructure of social transition. Nineteen days later, this diagnosis will acquire a speaking collective persona named DEV-GENZ.

April 18, 2025: DEV-GENZ and a Generation Naming Itself

The Transition Crisis describes a social blockage. DEV-GENZ gives a shared name, voice, and stage to the generation accumulating within this blockage (🔗).

The name combines Vietnamese revolutionary associations with Generation Z and contemporary discussions of artificial intelligence. The manifesto, anthem, open declaration, and disclaimer gather different institutional genres under the same persona. Humor and seriousness operate together. The fictional organization renders a real generational constriction visible and audible.

The significance of DEV-GENZ lies in turning the object of analysis into a speaking subject. The Transition Crisis shows the structural situation encountered by young people. DEV-GENZ produces a ‘we’ that acts from within this situation. This ‘we’ is not the record of an already established social organization; it is a collective name embodied through text, song, slogan, and artificial-intelligence fiction.

The production of personae in Dispatches acquires political scale here. The short formulas of Alter-Aphorism become anthems and slogans. The playful revolutionary signs of Chinese Peace are carried into the name of a new generation. Fiction gives organizational voice to social diagnosis.

April 24, 2025: The Spirit Front and the Intellectual Front

The Spirit Front is not established through a single text. A call, a declaration, and a manifesto are published on the same day, successively establishing the stages of need, proclamation, and program (🔗).

The call describes the fragmentation of the intellectual field and the loss of direction in the humanities. The declaration proclaims a shared will to intervene. The manifesto turns dialectics into an active method for cultural and institutional diagnosis. A publishing form more organized than a conceptual page thereby emerges: the front.

The later articles of the Spirit Front function like field reports. Stalking and limerence open the boundaries between personal relations and digital tracking. Articles on mobbing examine the circulation of public anger. University rhetoric, therapy culture, and social-media ego diagnose the everyday language of intellectual institutions. Cultural decay is shown through particular forms of discourse and behavior rather than left as a heavy general judgment.

This page constitutes a new stage of institutional naming within Yersiz Şeyler. DEV-GENZ has produced a generational persona. The Spirit Front establishes an intellectual field of struggle. Within six weeks, IPA/FLŽ will turn this front into a more permanent institution possessing a constitution, strategy, and procedure of judgment.

May 12, 2025: IPA/FLŽ and the Psychoanalytic Counter-Institution

IPA/FLŽ combines a founding congress and a courtroom within the same publishing field (🔗). The Freudian, Lacanian, and Žižekian inheritance is gathered within an abbreviation. Manifestos, strategic reports, declarations, methodological texts, and judgments are published in the name of the same institution.

The founding texts determine the institution’s purpose. Psychoanalysis expands from clinical and academic expertise toward problems of public media, culture, and artificial intelligence. The strategy against mediatized syndromes treats screens, platforms, and visual apparatuses as parts of subjective formation. Gestalt analysis examines symptoms within the arrangement of visible forms. The distinction between evidence and proof processes the difference between an open field of investigation and a closed judgment.

The courtroom form gives theoretical disagreements a dramatic and procedural framework. Thinkers, currents, and concepts are judged through particular deviations. This judgment aims to show which founding operation each deviation has altered rather than merely produce exclusion. The institution tests the current use of the inheritance while preserving its genealogy.

The Spirit Front opened a line of struggle. IPA/FLŽ embodies this line through a permanent name, documentary genres, and methods. The most developed form of a counter-institution among the special pages of Yersiz Şeyler is born here.

May 26, 2025: Legend and the Intensifying Case

When an image or event enters public circulation, different gazes rapidly accumulate around it. The Legend special page establishes an intensive dossier that processes a single case on mythical, bodily, political, and mediatized levels (🔗).

The word ‘legend’ evokes the form through which historical and sacred narratives invest persons with extraordinary meaning. Contemporary media can similarly intensify certain images. A body can become the symbol of an entire political history. A gaze can be read as the figure of mother, nation, or protective power. As a photograph is repeated, it acquires a mythical force independent of the event.

The dossier formed around Kevrina follows this operation from several angles. The maternal gaze, bodily representation, leftist memory, and media aesthetics encounter one another in the same figure. Every text adds a new layer to the dossier. The case expands through links rather than closing with a single judgment.

Legend tests the institutional method of IPA/FLŽ upon a concrete image. Diagnosis passes from an abstract program into intensive casework.

June 7, 2025: Counsel of Moderation and the Measurement of Forces

Counsel of Moderation operates like a pressure gauge measuring the tone and direction of social conflict (🔗).

Mobbing, resentment, digital catharsis, and the appearance of radicalism are treated within the same circuit of force. From which event does a reaction arise? Which platform accelerates it? Which aesthetic sign gives the reaction an appearance of heroism or victimhood? Which superegoic command compels people to display constant severity?

Moderation here makes the ratio among forces perceptible rather than signifying passive calm. The way intense affect produces political consequences is examined. The bond between the magnitude of the reaction and its target is opened. The transformation of anger into a repetitive performance by the digital environment becomes visible.

The mythical force concentrated around a single image in Legend is treated as the general pressure of social circulation in Counsel of Moderation.

June 24, 2025: Limb Prestige and the Part That Carries Representation

When the camera approaches the body, a face, hand, hair, garment, or particular gesture can begin to represent the whole person. Limb Prestige examines the transformation of a bodily part into an autonomous sign carrying social prestige and force (🔗).

A limb means more than an anatomical part. A publicly presented characteristic of a person can also function like a limb. The artist’s body, cosmetic appearance, political gesture, or digital profile carries a particular representational load. When the part is repeatedly shown, it takes the place of the whole person.

Spatial Interpretation examines the broad arrangement of the image. Limb Prestige brings the camera closer to the body. Optical capital describes the capacity of the visible part to produce attention and prestige. The plastic totem shows the socially authoritative status acquired by the shaped body. Mobbing can turn the same part into an accusatory sign.

This close-up will later be connected to the moving body and invisible control within the Puppet Regime.

August 16, 2025: Process Comrade and the Dossier of Political Transition

Process Comrade gathers historical, symbolic, and current material surrounding the Kurdish question and the peace process within a long-term dossier of transition (🔗).

Negotiation is not confined to the duration of a single political statement. Lausanne, the National Pact, the state’s founding narratives, and figures of leadership are evaluated within the same historical field. Comparisons with Mandela, the dissolution of paternal figures, and searches for a new regional order show the process’s symbolic weight.

The page operates in a particular political case the logic of thresholds that FLOW will later generalize. Transition does not signify a single moment in which the old order ends and the new order is immediately established. Discourses, institutions, and historical images move at different speeds. Process Comrade follows these unequal movements within a common dossier.

August 16, 2025: Non-Offensive Gestalt and Soft Control

Opened on the same day as Process Comrade, Non-Offensive Gestalt moves from explicit political forces toward direction within everyday appearances (🔗).

A gentle face, affectionate tone, gesture of care, and reasonable stance produce trust in social relations. This appearance can also direct behavior, narrow the field of criticism, and present constant inspection in the form of love. Non-Offensive Gestalt examines the behavioral pattern jointly established by an appearance of harmlessness.

Figures such as the Courtesy Gorilla and the Cinematic Ape make these patterns visible through exaggeration. The wife-oriented father shows how power within the family carries itself through the language of softness and harmony. The compulsion to inspect opens the everyday mechanism in which care and control intertwine.

Spatial Interpretation had examined the spatial arrangement of the image, and Limb Prestige the part carrying representation. Non-Offensive Gestalt makes explicit the silent force of the entire appearance upon behavior.

August 21, 2025: LOOM and Production’s Own Method

In a workshop, the tools, workflow, and labor relations are visible alongside the products. LOOM moves from the texts produced by Yersiz Şeyler toward the organization of production itself (🔗).

Hacker Ethic 2.0 aims to increase the user’s agency over the platform flow. Instead of consuming a ready-made timeline, the user establishes their own research flow through prompts, archives, and an arrangement of links. Counter-coding produces new signs against the signs of aestheticism and algorithmic repression. The labor line treats automation, white-collar work, blue-collar work, and productive forces within the same technical transformation.

The most distinctive section of LOOM is its prompting procedure. The movements of gathering, weaving, and descent explain the editorial structure of artificial-intelligence-assisted text production. Sources and details are gathered. Relations among them are woven. The resulting arrangement is brought down into a readable textual flow. The model participates in the production of prose; conceptual direction, selection, and responsibility are concentrated in curatorial will.

This page represents the threshold at which Yersiz Şeyler turns its own conditions of production into an object of analysis. Earlier pages produced concepts, images, sounds, and institutions. LOOM explains the tools, labor, and workflow of this production.

August 23, 2025: Hypocritique and the Cross-Examination of Criticism

Two days after LOOM makes the production method visible, Hypocritique opens the working order of persons and institutions that produce criticism to examination (🔗).

A critic may successfully diagnose a social contradiction. This diagnosis can produce prestige, publishing space, and institutional proximity. The hypocritical form emerges when critical insight circulates without changing the relations of the order being criticized. Speaking about contradiction becomes a value in itself.

The question of Hypocritique is concrete: After a contradiction is named, which relation changes? Which editorial rule opens? Which authority is redistributed? Which material dependency becomes visible? These questions move from the intelligence of criticism to its consequences.

Publications, friendships, platforms, and regimes of recognition surrounding Žižekian thought form the fundamental cases of this method. The detailed historical prosecution was conducted in a separate study. The Hypocritique special page gathers these cases under a general structural principle: the capacity of insight to preserve the arrangement.

September 13, 2025: FLOW and the Time of Thresholds

FLOW does not confine time to the image of a straight river. It gathers forms such as the bend, hinge, blockage, seepage, and change of direction within the same field (🔗).

Current events are not brought together according to thematic similarity. Each carries a moment of transition. A technology reaches a new threshold. A political process changes direction. A ritual breaks. A concept loses its former explanatory power. An institution’s flow becomes blocked and is directed into another channel.

FLOW adds an important dimension to the chronology of the special pages. The publication date gives the visible founding moment of a page. The concepts within the page may have been prepared in earlier articles. The new compilation rearranges this old material as its own past. A mobile relation thereby arises between calendar time and conceptual time.

Astroanalysis had established long historical rhythms through celestial cycles. Process Comrade had compiled a particular political transition. FLOW turns this conception of time into a general publishing principle. The archive does more than record events; it reconnects them according to forms of transformation.

October 3, 2025: The Puppet Regime and Invisible Control

A puppet moves on stage. The viewer sees the body; the source of movement lies in the strings, hands, and voice behind the scene. The Puppet Regime examines this structure on the scales of family, cinema, platforms, and artificial intelligence (🔗).

Anime and Hollywood place particular bodily and character patterns into global circulation. The family directs the child’s behavior through invisible expectations. Instagram and Zoom shape the face according to the screen. Artificial intelligence creates generated faces, voices, and models of behavior. In every case, a relation of control is established between the visible subject and the system arranging its movement.

The Screen had explained the surface on which appearance emerges. Spatial Interpretation had examined the social space of the image. Limb Prestige had approached the representational force of the visible part. The Puppet Regime connects this accumulation to movement and command.

The regime’s power arises from the subject’s experience of its own movement as natural and personal. Control operates more subtly than an explicit command arriving from outside. Platform design, familial love, aesthetic expectation, and cultural scenario move the same body from different directions.

October 7, 2025: Medium Other and the Interlocutory Face of Artificial Intelligence

A user writes a question into an artificial-intelligence interface. A coherent answer appears on the screen within a short time. Behind this visible conversation operate data centers, computational budgets, model training, and corporate decisions. Medium Other examines this intermediary position between interface and infrastructure (🔗).

The field of artificial intelligence is organized around master-signifiers such as Big Data, Big Compute, scaling, and reasoning. While defining technical programs, these words also direct investment, prestige, and expectations of the future. Interpretations claiming that models decide, deceive, or develop intentions name the behavior appearing at the interface through human attributes.

The fundamental problem of Medium Other is not the establishment of an exact essential similarity between human and machine. The principal issue is the model’s occupation of the position of a social interlocutor. People demand explanation, judgment, recommendation, and recognition from the machine. Institutions place machine output into decision-making processes. Artificial intelligence acquires an intermediary field of authorization between technical tool and big Other.

Cybernetic Feedback explains how cycles operate. Medium Other examines the speaking face of this cycle turned toward the user. The screen of the Screen becomes a synthetic interlocutor here.

October 13, 2025: Stateless and Divided Belonging

The waiting area at passport control asks which country a person belongs to. Diasporic experience carries several contradictory answers to the same question. Stateless gathers this tension around migration, class, culture, and divided belonging (🔗).

The history of workers from Turkey in Germany encounters the image of the ‘Germanized Turk’ in Turkey. A person regarded as a foreign worker in one place can appear as a sign of privilege and corruption in another. Cartel’s collective voice produces a shared rhythm and name between these two positions. Different accents and regional origins meet within the same chorus.

Stateless signifies more than geographical homelessness. It describes a position fragmented among language, class, generation, and cultural representation. European politics, memories of war, anime, and migrant music become different embodiments of the same crisis of belonging.

This page reworks Yersiz Şeyler’s own name of displacement on the scale of social history. Displacement here acquires the material weight of migration, labor, and recognition alongside free association.

November 9, 2025: IPA/FLŽM and the Second Founding

The Freudian, Lacanian, and Žižekian framework established by IPA/FLŽ in May undergoes a second founding with the addition of Marcuse in November (🔗).

Freud listens to the repressed conflict carried by the symptom. Lacan establishes the subject through the cut and lack in language. Žižek analyzes ideology through overidentification and self-sabotaging mechanisms. Marcuse adds the problems of free time, sublimation, consumption, and material forms of life to this line.

This addition changes the institution’s scale. Discussions of media and psychoanalysis combine with questions of working time, technological productivity, and liberation. As artificial intelligence increases production, the ownership of the time gained becomes a fundamental issue. Aesthetics is treated as a field that makes another form of life perceptible rather than merely as an order of representation.

The name IPA/FLŽM reinterprets the previous program while expanding the institution’s genealogy. The first founding concentrated on symptom, language, and ideology. The second founding connects these concepts to the material conditions of body, time, labor, and liberation.

December 7, 2025: Factory Settings and the Initial Curriculum

When a system returns to factory settings, its basic operating conditions are re-established. Factory Settings transforms the concepts developed by Yersiz Şeyler over the years into an initial program for a new reader and producer (🔗).

The program’s first triad is organized around the human, speech, and interlocution. The human appears through relations of speech and address rather than as an isolated biological individual. The second triad connects dialectics, unfolding, and algorithm. Contradiction, new possibility, and operational order become stages of the same movement of thought. The final triad treats work, production, and sublimation. Labor produces culture and form in a sense broader than economic necessity alone.

The Blind Window series supplies this curriculum’s opposing field. Appearance, mobbing, stance, aesthetics, standing out, winning, funniness, engagement, and profile question the behavioral patterns of platform life. Basic capacities and the forms these capacities assume within algorithmic circulation thereby stand side by side.

Factory Settings is the archive’s first systematic introductory guide. Lacan Lessons taught a particular theoretical field. Factory Settings arranges the fundamental operations of the entire publishing practice within a program for building culture.

December 18, 2025: The Explanation Machine and the Processing of Corpora

When a book enters the Explanation Machine, it retains its volume as a whole while acquiring sections, audio files, and conceptual stops (🔗).

Books from history, game studies, game design, religion, war, and philosophy are processed as series. Each episode explains a particular part of the source. Audio narration transforms reading time into a different rhythm. Multilingual versions carry the same corpus into other linguistic environments.

Numerical Discourses had transformed individual articles into conversation. The Explanation Machine raises this technique to the scale of the book. Factory Settings arranges fundamental conceptual capacities. The Explanation Machine enables the systematic processing of selected sources.

The page’s name does not present explanation as mechanical simplification. The machine divides the source into parts while preserving the order among them. The reader or listener approaches a long corpus through serial entrances. The archive transforms from a structure that stores sources into a program that processes them.

January 19, 2026: Phantomoperand and the Open Field of Operations

Phantomoperand does not operate around a closed curriculum or a completed book series. It divides current events, cultural frictions, and new concepts into open-ended mini-operations (🔗).

Some operations last several episodes. Others become long playlists. Cartel, diaspora, stage prestige, generational conflict, health, artificial intelligence, cinema, and current political events are processed within different series. Turkish texts are connected with English and German versions. Video, sound, and writing become different embodiments of the same operation.

The name Phantomoperand evokes the invisible element being processed. In a calculation, an operand is the value entering an operation; phantomoperand suggests a hidden or emerging element that determines the direction of production before being explicitly named. The page captures events that have yet to acquire an established category at this stage.

Factory Settings arranges initial conditions. The Explanation Machine systematically processes an existing source. Phantomoperand turns the open material of the contemporary world into operations. This triad completes Yersiz Şeyler’s layers of education, source processing, and current intervention.

June 1, 2026: LEGOLUGAT and the Remontage of Language

The final major special page in the chronology carries concepts accumulated over the years back into language. LEGOLUGAT transforms the dictionary from a sequence of fixed definitions into a workshop in which concepts are dismantled and recombined (🔗).

Lego pieces can be reused in different constructions. A lexicon gathers words and meanings. LEGOLUGAT combines these two functions. A word is divided into sound fragments. Its proximities to other words become visible. Spelling, association, wound, joke, and conceptual use meet within the same entry.

The Görce Dictionary had established the shared memory of terms around 2020. Alter-Aphorism had turned these terms into brief and circulating sayings. Motive Science had extracted new operators from sources. LEGOLUGAT opens this entire accumulation to modular linguistic production.

This page returns the chronology to where it began: words. During the intervening six years, words have acquired lessons, images, songs, stages, manifestos, institutions, and operations. LEGOLUGAT makes them usable for subsequent productions by breaking them into parts again. The cycle does not return to the same point; language carries the residue of every embodiment it has undergone.

The Historical Meaning of the Sidebar

All these pages appear simultaneously in today’s sidebar. Lacan Lessons operates as a field of instruction. Entropy carries the irreversible trace of time. Echo makes the return of the word audible. Ekhona opens the association of the image. Dispatches supplies an incubator for artificial-intelligence fictions. Numerical Breezes gives rhythm to the concept. Cybernetic Feedback explains the cycles of production and power. Spatial Interpretation examines the image as a social crime scene. The Spirit Front establishes a field of intellectual struggle. IPA/FLŽM produces manifestos, strategies, and judgments. LOOM makes the method of production visible. FLOW detects thresholds and changes of direction. Factory Settings provides an initial curriculum. The Explanation Machine processes corpora. Phantomoperand divides current events into operations. LEGOLUGAT prepares language for new montages.

The chronology does not establish a straight line of progress among these functions. New pages continue older operations within their own structures. Echo becomes a technical circuit within Cybernetic Feedback. Ekhona acquires a public gaze within Spatial Interpretation. The Screen functions as a digital interface within the Puppet Regime and Medium Other. Entropy settles into the earth in Climate Collapse and into memory in the Forgetful Machine. Dispatches feeds the production style of new fronts and personae. Lacan Lessons expands from instruction toward an institutional program through Motive Science and IPA/FLŽM.

Every special page foregrounds a different verb. The Dictionary records. The Lessons teach. Entropy follows residue. Echo returns. Ekhona shows. The Screen establishes a surface. Dispatches multiplies. Numerical Breezes turns concepts into songs. Numerical Discourses explains. Numerical Stage dramatizes. Translation lines transfer and calibrate. Spatial Interpretation diagnoses. DEV-GENZ produces a collective name. The Spirit Front establishes a front. IPA/FLŽM institutionalizes and judges. Legend intensifies cases. Counsel of Moderation measures forces. LOOM explains the procedure of production. Hypocritique interrogates criticism. FLOW finds the hinges of time. Factory Settings arranges fundamental conditions. The Explanation Machine processes sources. Phantomoperand operationalizes current material. LEGOLUGAT reopens language.

The Thousand-Doored Palace therefore does not convey the image of a completed building. Whenever a new door opens, the old rooms acquire new connections and tasks. The sidebar compresses this historical movement onto a single surface. It operates simultaneously as archive, memory, route, and control panel. The fundamental product of Yersiz Şeyler is broader than the sum of individual articles: It is a living system that enables a text to become a concept, a concept to become a connection, a connection to become a medium, a medium to become a collective name, and a collective name to become a reusable publishing operation.